Between the holdover time in Boston, the duration of the flight, and the five-hour time difference, we were thoroughly exhausted by the time we reached Clontarf Castle. Nevertheless, figuring our best bet for acclimating to local time was to forge on until bedtime, we checked in, threw down our bags, and after a short rest were off for Dublin Town.
Traveling with a 9-year-old (who’d held up amazingly well thus far) meant that our first stop should be of correlative interest. And so it was that we found ourselves at the door of the National Leprechaun Museum. Despite the hokey implications of its name, the Museum could be as easily marketed as a crash course in Irish mythology – Aos Sí 101 – which manifests throughout Irish culture to this day.
As our seanchai led us through a series of exhibits depicting leprechauns of lore as well as their modern convention (rooted in the 1959 Disney film, Darby O’Gill and the Little People), elaborating upon the púca and bean sídhe, Fionn mac Cumhaill and the Fenian Cycle, I recalled, of all things, one Friday night in high school, when a friend and I drove a half-hour to see Schindler’s List. However, we faltered at the ticket window. Were we, a pair of strapping lads perched at the precipice of the weekend, really up to facing three-hours of celluloid-induced depression?
Indeed, common sense prevailed, and we blew off the Oscar-winning Holocaust epic in favor of seeing Leprechaun 2 (which happens to contain one of the most hilariously inconsistent nude body-doubles ever committed to film, but that’s another story). I related this tale to Warwick Davis (who plays the namesake leprechaun) a decade later at a horror-con in Baltimore. His reaction belied an unparalleled sense of diplomacy.
But back to the matter at hand. A noteworthy gift shop awaits visitors at the end of this rainbow. However, a word of note: although the National Leprechaun Museum is indoors, there seemed to be no source of heating, so should you go there in January, dress accordingly.